Captivating and off the cuff, Frank Miller brings a new dynamic duo against each other. Superman with the Batman wondering what if? Who could defeat the man of steel if needed? The bonds of brutality and a gentle name betwixt them lead to a soft ending! Full of movie spoiling and taking it to the next level? Yes, indeed, this is groundbreaking. Many a plot has been stirred and cultivated from this melting pot!
![AS2](https://s3.amazonaws.com/collectors-society-production/Collectibles/229667/4334931_Full_Obv.jpg?t=OC83LzIwMjIgNDozMjo1MiBQTQ%3d%3d")
![AS2](https://s3.amazonaws.com/collectors-society-production/Collectibles/229667/4334931_Full_Rev.jpg?t=Mi8xLzIwMjMgMjoxNjoyMSBQTQ%3d%3d")
Darkness is the Night, as is the Batman, or so it would seem; although, his "goal" seems to be sharing the light of renewal and the goal to see through all the veneer to the gleam in an innocent individual's life!
This is the return. Beautiful Burn, of a return, by none other than Frank Miller. That coincides that the Batman must keep the channel open for help, but when here in this series it is blasted all over the TV? It takes the elderly by surprise, enabled to get the job done with certainty but all a work in progress. After 4 issues it gets laid to rest into a decades or so long sleep, until another continuation darkens the local comic store. It is well received with this first series, lasting into a generation who might have longed for a second iteration. Small beginnings, humble beginnings that turned humongous! Advantage the Batman as he recoils from two-face and on to the Joker, "Get that camera out of my face!" "I'm working here!" A private eye or detective really shouldn't be so publicly involved, it's bad for business.
